Mizzy C with Blood Kid Yvok – Tatupona

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Mizzy C teams up with Blood Kid Yvok for “Tatupona” and there’s a shared resilience behind their collaboration.

Tatupona certainly refers to survival, to something that has survived, to that sort of expression linked to resistance typical of regional street music. Mizzy C is here and Blood Kid Yvok makes it feel like a collective testimony rather than one person doing all the talking. Two artists who feel comfortable carrying the same burden.

The percussion works silently behind a song that has some real weight without sounding too beat down. The pace is modest and constant. Nothing to bring it down is overproduced anymore. It feels like it was created to reflect on survival, not for the dance floor at a party.

Mizzy C begins with great sincerity, her voice has an experiential quality without the over-the-top drama attached to it. Blood Kid Yvok returns right away, bringing the same grounded enthusiasm and ideas about survival. The two entries are honest throughout, without overdoing the difficulty.

There’s not much need for a detailed narrative here, the idea of ​​resistance carries enough weight on its own. All that had to happen to actually arrive as a witness.

“Tatupona” aims for nothing more than a mutual honesty and perseverance between two voices who have clearly experienced something real. Mizzy C and Blood Kid Yvok put down something solid to sit with.

Streaming on digital stores