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Veteran indigenous Nigerian rapper CDQ continues his run into 2026 with “OLOGO,” a Yoruba-led street album that is still exactly on the path he has dominated for more than a decade.
This release following August’s “BADDO” shows that CDQ is not doing well this year. He’s simply releasing what he has, trusting that his audience will follow. That confidence in his work is part of what has kept him relevant since the likes of “Indomie” with Olamide and “Nowo E Soke” with Wizkid initially established his name in wider conversations.
It’s all about Yoruba slang, crisp bars and confident rap delivery that makes “OLOGO” shine. The production proceeds at 117 BPM over an Afro House foundation, solid enough to drive the beat without drawing attention away from his verses. So the beat plays for the rapper, not against him. This balance has always worked in CDQ’s favor as its delivery requires space, not fuss around it.
Plus, the compact layout scores points. There is no overstaying here. CDQ delivers his piece and exits in an orderly manner. Veteran artists who have been creating catalogs for over fifteen years know that brevity often hits harder than extended length. “OLOGUE” carries this premise forward to the end.
This album is for Nigerian hip-hop lovers who have been following CDQ since their NSNS Entertainment days. The record lands right where it should, with familiar energy and snappy delivery: definitely him.
Listen to “OLOGO” below and let us know: Is CDQ still one of the most consistent indigenous rap groups in Lagos?
